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John William Waterhouse

Home arrow Pictures arrow Unlocated Works of Art arrow Reproduction Available
Unlocated, Reproduction Unavailable PDF Print E-mail

Paintings which are listed as unlocated in monographs on Waterhouse, and for which there are no reproductions available.

Pygmalion and the Statue
Exhibited at the Society of British Artists in 1873.

Summer Blossoms / Autumn Leaves
Exhibited at the Society of British Artists in 1874.

The Old Well
Exhibited at the Dudley Gallery in 1874.

A Bit of Nature
Exhibited at the Society of British Artists in 1875.

A Quiet Study
Exhibited at the Dudley Gallery in 1875.

Margaret, Scottish Martyr
Exhibited at the Dudley Gallery in 1875.
Margaret Wilson (1667-85), the Covenanter drowned in the Solway for refusing to acknowledge the Church of Scotland. Waterhouse was perhaps influenced in choosing this subject by possibly viewing Millais' earlier 1871 version, entitled "The Martyr of the Solway".

Patchwork
Exhibited at the Society of British Artists in 1875.

Zenobia
Exhibited at the Society of British Artists in 1875.
Martyr; the Eastern warrior queen captured in the third century AD and paraded through Rome in chains.

An Odalisque
Exhibited at Royal Glasgow Institute of the Fine Arts in 1876, (135) £19.
Odalisque is a french word corrupted from turkish meaning 'female slave'. This subject was first treated by Waterhouse in 1872 with his exhibit 'The Slave' shown at the Society of British Artists.

Francesca
Exhibited at the Dudley Gallery in 1876.

The Tibia
Exhibited at the Royal Academy in 1878.
Antiq. An ancient (single or double) flute or flageolet (OED).

A Chestnut Vendor *
Exhibited at the Dudley Gallery in 1879.

Day Dreams *
Exhibited at the Dudley Gallery in 1879.
'... an Italian girl seated against a white wall, holding a fan of peacock's feathers' (Illustrated London News, 8 Mar 1879, p234)

Flute Player
Exhibited at the Liverpool Gallery in 1879.

La Favorita
Exhibited at the Royal Academy in 1879.
'A large figure subject ... a girl in blue and maize dress, very forcibly painted.' (Academy Notes 1879)

An Herodian
Exhibited at the RBSA (Royal Birmingham Society of Artists) in 1881.

A Summer's Day
"A sunny picture" of a scene in Italy. Exhibited at the Royal Academy in 1881, no. 221. (Previously documented here as 'A Summer's Day in Greece').

Rival Roses
Exhibited at the Royal Academy in 1881, no. 106.

Winter
Exhibited at the RBSA (Royal Birmingham Society of Artists) in 1882.

Spring
Exhibited at the IOP in 1883.

The Bubbles
Exhibited at the Royal Academy in 1883.

Spring
Exhibited at the R.I. in 1884.

A Back Street in Venice
Exhibited at the Grosvenor Gallery in 1888.

A Rescue
Exhibited at the Royal Academy in 1888 - described by a reviewer as "a little too much like a Tadema". Advertised for sale in The Times newspaper by the dealer Arthur Tooth on April 5th 1888. Sold at Christie's in July 1891 for 150 guineas to Wyatt. Sold at Christie's in November 1943 for £110 5s.

Fatima
Exhibited at the Royal Academy in 1911, where it was sold for £350.
Probably taken from Tennyson's "Fatima" poem (1832), a tale concerning an abandoned woman who waits alone, her desperation reinforced by stormy weather and her threat 'I will possess him or I will die'.

Mrs Ronald McNeill
Exhibited at the Royal Academy in 1912.

Mrs Philip Henderson
Exhibited at the Royal Academy in 1913.

Flora
Exhibited at the Liverpool Gallery in 1914.

Mrs Arnold Henderson
Exhibited at the Royal Academy in 1914.

The Marchioness of Downshire (Portrait of)
Exhibited at the Royal Academy in 1914.

 

Works are oils unless marked with an * which indicates a watercolour.

 
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